TRIBUNE U.S.A. 2002-9-13:The Carvings of Wan Ko Yee, A Master of Art Were Exhibited, Providing People The Opportunity to Appreciate the Highest Form of Art

关于“第三世多杰羌佛”佛号的说明

二零零八年四月三日,由全球佛教出版社和世界法音出版社出版的《多杰羌佛第三世》记实一书在美国国会图书馆举行了庄严隆重的首发仪式,美国国会图书馆并正式收藏此书,自此人们才知道原来一直广受大家尊敬的义云高大师、仰谔益西诺布大法王,被世界佛教各大教派的领袖或摄政王、大活佛行文认证,就是宇宙始祖报身佛多杰羌佛的第三世降世,佛号为第三世多杰羌佛,从此,人们就以“南无第三世多杰羌佛”来称呼了。这就犹如释迦牟尼佛未成佛前,其名号为悉达多太子,但自释迦牟尼佛成佛以后,就改称“南无释迦牟尼佛”了,所以,我们现在称“南无第三世多杰羌佛”。尤其是,二零一二年十二月十二日,美国国会参议院第614号决议正式以His Holiness来冠名第三世多杰羌佛(即H.H.第三世多杰羌佛),从此南无第三世多杰羌佛的称位已定性。而且,第三世多杰羌佛也是政府法定的名字,以前的“义云高”和大师、总持大法王的尊称已经不存在了。但是,这个新闻是在南无第三世多杰羌佛佛号未公布之前刊登的,那时人们还不了解佛陀的真正身份,所以,为了尊重历史的真实,我们在新闻中仍然保留未法定第三世多杰羌佛称号前所用的名字,但大家要清楚,除H.H.第三世多杰羌佛的名字是合法的以外,在未法定之前的名字已经不存在了。


TRIBUNE U.S.A.     SEPTEMBER 13-19,2002          VOL. V NO.38

The Carvings of Wan Ko Yee, A Master of Art Were Exhibited, Providing People The Opportunity to Appreciate the Highest Form of Art

Unlike All Other Forms Of Art, His Works Cannot be Duplicated

       A Painting by Master Wan Ko Yee sold for the highest price of any Chinese painting ever sold at an art auction. He has once again started the art world by recently exhibiting in California his superlatively crafted carvings. This exhibition provided people with the opportunity to appreciate the highest form of art. The themes of his carvings are from nature. His carvings are so natural looking that they are free from any traces of conscious artistry. In fact, they even surpass the workings of nature. They truly take one’s breath away. What is even more astonishing to those in art circles is that there is no way to copy any of his carvings. His works cannot be imitated through rubbings, grouting or computer simulation. Such an accomplishment is unprecedented in the history of art. The Master’s carvings have raised the level of art in the world to the highest level, since his workmanship has reached the acme of perfection.

At an art auction, master Wan Ko Yee’s painting entitled “The Venerable Da Li Wang” sold for US$2,207,912. This set a record for the most expensive Chinese painting ever sold. However, compared to his paintings, his carvings are even more difficult to obtain. When art critics view Master Wan Ko Yee’s carvings, they all evince expressions of astonishment, saying such things as, “these works of art could not possibly have been sculpted by man! Their style is vivid. Their scale is large. They are marvelous creations excelling nature. To say that they are superb would be insufficient. It would be accurate to say that the sculptor is a great master of art the likes of whom have never been seen before. It would also be appropriate to say that the sculptor is a beacon in the world of art, that he is a pre-eminent sculptor, and that his carvings surpass even nature itself”.

Master Wan Ko Yee’s carvings fall into four different styles: realistic, abstract, classical and modern. Each style is fascinating and too beautiful to be absorbed all at once. Each style has an alluring and wonderful quality to it, providing the viewer with a unique feeling. The viewer cannot help but acclaim the sculptor as a magnificent master of art.

Take for example, Master Wan Ko Yee’s carving entitled “Limestone Cave”. It has the shape of a natural huge rock formation, with stalactites of differing lengths. When you view the details of this rock formation, you realize that there are wonderful sights within the holes. You cannot help but be dumbfounded, thinking that this rock formation must have been transported from Lu di Rocks in Guilin or from the Wu Ling Garden Limestone Cave or from the Ejian Bi Stalactite Cave in Taiwan. How you ask could this possibly have been made by man? However, when you calmly reflect upon this, you realize that nature does not contain such small stalactites.

When the viewer squats down and carefully looks inside the holes, he will see small pillars of rocks, stalactites, rocks in the form of fungus and hanging rocks in the form of shield. All of these rock formations seem as if they were naturally formed through the constant dripping of water. You cannot see any traces of a chisel or other carving tool even though the carving was made from solid resin. Even nature could not make such a thing. But how could the artist have carved inside the small holes? How could there be so many natural looking stalactites in such a small area? Such exquisite rock formations cannot be found in a real limestone care.

Most works of art cannot be compared with the superlative craftsmanship of nature. However, the artistic level of this work of art not only surpasses the works of other artists, it also surpasses the majesty of natural limestone caves.

There is also the carving called “Wonder of Mysterious Cave,” which is even more phenomenal than the “Limestone Cave.” Master Wan Ko Yee has sculpted this amazing rock formation which appears entirely natural. There are many hold within the rock formation and even hole within the holes. There is a variety of scenes within the holes. Each facet of this carving is exquisite and flawless. Even the rock formations of nature cannot compare with it.

Those who have seen natural carves will marvel at the interplay of lightness and shade and the effects of this interplay over time. Similarly, the shining of light upon this “Wonder of a Mysterious Cave” from different angles will produce various effects of lightness and shade, as well as various color changes. The shapes of the holes are diversified and marvelous. The artistic level of this carving is indescribably high. Its curves and lines flow smoothly, like mellifluous music. Anyone who wants to full appreciate the beauty that this work of art displays will have to spend at least forty minutes viewing it. This sculpture, which is most fascinating, is much more marvelous than a natural cave. This artistic accomplishment portrays something within nature but at the same time surpasses nature. Often, there is only one facet or part of a natural rock formation that is enchanting. The other facets or parts do not display anything wonderful. However, every facet or part of this carving by the Master is enchanting. Thus, the viewer has a deep appreciation for the entire carving. This is an unprecedented accomplishment in the history of art.

What is even more amazing is that there is no way in the world to copy this wonderful rock formation. It cannot be imitated though rubbings, grouting or computer simulation. This is also a great accomplishment that is unprecedented in the history of art.

Of those carvings by Master Wan Ko Yee that were exhibited in California, the smallest was about three feet tall and the largest was about ten feet high and twenty feet long. The feeling one gets when viewing his carvings is that each of them must have taken three, four, or five years to complete. Some of his works leave one with the impression that the artist must have spent a few dozen years just carving that one work of art. More important, each of the Master’s carvings seems more real and majestic than the creations of nature. The viewer is both visually and mentally amazed at such sights. The inimitable nature of the Master’s carvings makes each of them unique and priceless. The Master has made an enormous contribution to the world of sculpture.

来源:佛教网